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Streaming: From machines and people: “The Electric State” at Netflix

Streaming: From machines and people: “The Electric State” at Netflix

The fear that machines migrate immigrating is quickly a popular film motif for 100 years. Already in 1927 in Fritz Langs “Metropolis” appeared a Maschinen person. Films such as “Blade Runner”, “Terminator”, “I, Robot” or the unfortunately hardly noticed science fiction drama “The Creator” detached themselves with possible artificial intelligence. Due to the rapid technological developments – keyword: artificial intelligence – the topic is more current than ever.

An alternative version of the 1990s

In contrast to the meisten other, players film the Netflix product “the electrical condition” (Start: 14th Märrz), which is based on Simon Stålenhag’s Gleinamigen Graphics novel, nods in the future, but in the Verrenhit. «We have in this film Created an alternative version of the 90s, ”explains Chris Pratt (“ Avengers: Endgame ”), who besides Millie Bobby Brown (“ Stranger Things ”) the Hauchfrolle Game, in the interview of the German Press Agency. “But for everyone who fits in time, it is really nostalgic.”

In this fictitious defense, cute robots check the uprising against people. In this history, Walt Disney is to blame. His robots, which were once developed for Disneyland, have been so useful that they are used in all berches of life. But they develop awareness and feelings and demand rebrhled rebrohte for Rowoter. The Frotes Krig that people win.

A life hem only for robots

The mushrooms are then banished in the restricted area – the dystopian “electrical condition”. The world is a dark place in people’s living space. There are traces of war everywhere, the remains are lying around. They inaen the time with a so -called neurocaster on the paddock. With diesim, which looks like a helmet, Sieich flee real life in virtula reality and neglect.

“Wire are worried about how technology the world changes,” says Joe Russo, who is having a thed with his brother Anthony director. «The film deals with these Temen without demonizing technology -it brings it to her. But he also asks some critical questions. »However, the film talks to the complexity of the literary pre -layer at Keer.

Adventurous travel

Michelle (Millie Bobby Brown) is a hat off to a car accident after being relying on her family- she lives a foster father who rarely decreases his neurocaster. One day Michelle is surprised by a small, friendly robot called Cosmo. Cosmo knows things that only Michelle Broder can know. The robot asks you to sit in the restricted area.

Together with the exzentric smuggler Keats (Chris Pratt with a bad hairstyle) and the conversion -compatible robot friend, they go to a fermented trife through Estörtes America. They committed malignant and open machines and explore how and why modern technology is guided by the neson gang of society – and withered responsibility bear the quantities for it.

The colorful robots are the stars stars

Players Stanley Tucci, Giancarlo Esposito and Oscar winner Ke Huy Quan (“Everything everywhere at once”) roles. But the stars of the films are the imaginative robots that Nick only come from the computer, but with -mit -mit -mitten -Mömen -Animier became an animator to facilitate the artboit. “The time we hit someone with whom we played,” says Pratt, “so that we can be real human, emotional moments with the rotary valleys.”

Visually and atmospherically, the film erint a daspopcorn cinema of the 1980s. “We have a strong inspiration inspired by these files,” emphasizes Anthony Russo in the dpa interview. “We love it when large, complex science fiction beef are associated with a very personal character.” They would also have influenced Pixar’s animated films, says Russo.

“The Electric State” is full of nostalgic alludes from playles to the poppits of the 80s and 90s to the original robots. The successful filem music by old master Alan Silvestri (“Back to the Future”) also contributes to the nostalgic atmosphere. This makes the science fiction film, although it is somewhat superficial and clichés, to be entertaining streaming pleasure.

© dpa-infocom, dpa: 250313-930-402364/1