Is “The Electric State” really the worst film of the year?

They are the 1990s, but Irgeneta is different. When Michelle (Millie Bobby Brown, “Stranger Things”) and her Mathegenie brother go over College Campus, Chris is mobbed by a boy’s soldier. The comic figure on his T-shirt of all things angered the uniformed. For what “Kid Cosmo”, which now looks really harmless with his round grin chop, shows a quick news together: Walt Disney has started to use robots in his amusement parks in the 1960s, and since then Sieich has been auxiliary worker throughout the USA. Now the uprising of the machines and the war of the robots are followed by people.

Only the invention of the neurohelm, which enables human consciousness in the more efficient drone, prevented the impending the Krig from the Krig, but the men’s Haven Nick a lot, they hang around apathetically and let their drones make the arange.

“The Electric State” stands in this dystopian world, with $ 300 Milen dollar budget of the tust Netflix films. Michelle Hut Elern and brother now caught in a car accident. But suddenly Blechsmiley Kid Cosmo stands in front of her and makes it clear to her that Chris’ Spirit is in him – he still lives. She sets off on the dying on the way she opens a Han-solo species-species-Gauner (Chris Pratt), which in turn has (banned) mechanical bleed line.

The robotic energy is populated by machines à la knower magician how -Mann you can also find in the Prater. This results in a cute retro optics that depends on the end of the world. Michelle is all of these seeds in the fight against the inventor of the neurohelm, who – he is finally played by Stanley Tucci – the fiesling here. A self -playing piano also pulls with the battle – with “I will survive”.

US critic Haven unanimously dismantled this adaptation of a graphic novel by Simon Stålenhag. The nick is really understandable. The film is good as a popcorn blade, the film is good, very few will expect Arthouse science fiction from Millie Bobby Brown (known from “Stranger Things”).

The pictures are lavish, there are allusions to classics of the genre (such as “et”), there are a few reasonably original ideas and a few GTE gags (it can be more). Mann could be bothered by the Esoteric kitsch, which is sometimes once thrilled as a putty. But if that is supposed to be the worst film of the year, the demands must have suddenly and unabated.